American-Soviet Cultural Diplomacy: The Bolshoi Ballet's by Cadra Peterson McDaniel

By Cadra Peterson McDaniel

American–Soviet Cultural international relations: The Bolshoi Ballet’s American Premiere is the 1st full-length exam of a Soviet cultural diplomatic attempt. Following the signing of an American-Soviet cultural alternate contract within the overdue Nineteen Fifties, Soviet officers resolved to make use of the Bolshoi Ballet’s deliberate 1959 American journey to awe audiences with Soviet choreographers’ nice accomplishments and Soviet performers’ marvelous skills. hoping on huge learn, Cadra Peterson McDaniel examines even if the goals at the back of Soviet cultural alternate and the explicit goals of the Bolshoi Ballet’s 1959 American journey supplied proof of a thaw in American-Soviet kinfolk. Interwoven all through this research is an exam of the Soviets’ competing efforts to create ballets encapsulating Communist rules whereas concurrently reinterpreting pre-revolutionary ballets in order that those works have been ideologically applicable.

McDaniel investigates the reason in the back of the construction of the Bolshoi’s repertoire and the Soviet leadership’s goals and interpretation of the tour’s good fortune in addition to American reaction to the journey. The repertoire integrated the 4 ballets,
Romeo and Juliet, Swan Lake, Giselle, and The Stone Flower, and Highlights courses, which integrated excerpts from a number of pre- and post-revolutionary ballets, operas, and dance suites. How the american citizens and the Soviets understood the Bolshoi’s luck offers perception into how both sides conceptualized the function of the humanities in society and in political transformation.


American–Soviet Cultural international relations: The Bolshoi Ballet’s American Premiere demonstrates the ballet’s position in Soviet overseas coverage, a shift to "artful warfare," and hence emphasizes the importance of learning cultural alternate as a key element of Soviet overseas coverage and analyzes the ongoing significance of the humanities in twenty-first century Russian politics.


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Extra resources for American-Soviet Cultural Diplomacy: The Bolshoi Ballet's American Premiere

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David Caute, The Dancer Defects: The Struggle of Cultural Supremacy During the Cold War (Oxford: Oxford UP, 2003), 3, 5. 34. Dr. Brenda J. , J. D. (Dean of the School of Business, Henderson State University, Arkadelphia, Arkansas), in discussion with the author, July 20, 2014. 35. For specific reviews, please see American news reports in Chapters 3–7. 36. James Bakst, A History of Russian-Soviet Music, 278. 37. Rósa Magnúsdóttir, “Chapter 2: Mission Impossible? Selling Soviet Socialism to Americans, 1955–1958,” vol.

Soviet Cultural Exchanges, 1958–1986: Who Wins? , 1987). 61. Frederick C. Barghoorn, The Soviet Cultural Offensive: The Role of Cultural Diplomacy in Soviet Foreign Policy (Princeton: Princeton University Press, 1961); Baruch A. Hazan, Soviet Propaganda: A Case Study of the Middle East Conflict (New Brunswick, NJ: Transaction Books, 1976). 62. ” In Diplomatic History, 27, no. 2 (April 2003): 193–214. Rósa Magnúsdóttir, “Chapter 2: Mission Impossible? Selling Soviet Socialism to Americans, 1955–1958” vol.

18. Zaiavlenie, Direktora Gosudarstvennogo akademicheskogo Bolshogo teatra Soiuza SSR Georgiia Orvida na press-konfsrentsii sovetskikh i inostrannykh zhurnalistov 20 marta 1959 goda v 16–00, v sviazi s predstoiashchimi gastroliami baletnoi truppy GABTa v SShA i Kanade, v SShA 1959, 1962, 1966, ll. 1–3, Moskva: Muzei GABT. 19. Zaiavlenie, Direktora Gosudarstvennogo akademicheskogo Bolshogo teatra Soiuza SSR Georgiia Orvida na press-konfsrentsii sovetskikh i inostrannykh zhurnalistov 20 marta 1959 goda v 16–00, v sviazi s predstoiashchimi gastroliami baletnoi truppy GABTa v SShA i Kanade, v SShA 1959, 1962, 1966, ll.

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