George Orwell's 1984 (Bloom's Modern Critical by Harold Bloom

By Harold Bloom

A biographical and demanding evaluation of George Orwell's 1984 with professional research through Harold Bloom.

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Extra resources for George Orwell's 1984 (Bloom's Modern Critical Interpretations)

Sample text

It is also contingent on recall of his younger self; through memory and dream, he has relived and come to terms with his betrayal of his mother and sister. When O’Brien exerts his power over Winston, he reverses the process of development. As he puts his victim through what he terms the learning phase—in other words, as Winston is relentlessly tortured—Winston becomes more and more like a child, still defiant, yet requiring approval. As he enters the phase O’Brien terms understanding—that is, as mind and body are totally degraded—he 40 Sue Lonoff becomes as dependent as a baby.

But the contrast isn’t only in the polish. The second version amplifies the power of the Party and the terror that lies in wait for Winston. While the first guard is simply an atavistic brute, his successor wields an instrument, a black one. O’Brien too becomes more sinister. His “mild, Composing Nineteen Eighty-Four: The Art of Nightmare 45 almost regretful irony” signals the change in his relations with his victim yet preserves his consistent duality. He admits—indirectly—to deceit and entrapment, yet his very confession is accusing: Winston knew.

The “layout” of 1943 (or 1944) begins as an objective list of items; its perspective is implicitly omniscient: PART I Build up of a. The system of organized lying... b. The ways in which this is done... c. The nightmare feeling caused by the disappearance of objective truth.... ] i. The torture & confession ii. Continuation of diary, mentally. iii. Recognition of own insanity. (GO, 408) Orwell had mixed feelings about first-person novels. ) He knew the form was useful for getting at the inner mind, for treating emotion and sex honestly.

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